Produced by Bristol sound co-founder the musician-producer, this scabrous though slight first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to break into his own family home. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David eager to get away; the Poacher denying his container of cider, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Vibe
Just a single important plot development, but it results in a comically executed chaotic run on the forest trails that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in British and Irish cinemas from November 17.
